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Showing posts with label sports. Show all posts
Showing posts with label sports. Show all posts

DCW Photo Q&A - Sports Photography with Peter Podlaha




This year's setting for the 2018 Commonwealth Games is our own beautiful Gold Coast so there’s a fair bit of excitement in the air. After all, sporting events never fail to draw a crowd. Among that crowd, you’ll always find photographers.

Athletes are fast-moving, unpredictable creatures full of emotion and ability. They’re great subject matter. But capturing them in a single sharp photo isn’t exactly a piece of cake. Luckily, we were able to chat with a seasoned pro: Peter Podlaha of Injected Ideas Photography.

Peter is a top-notch photographer and a top-notch athlete, so really, who better to ask? He’s given us a tonne of insight and valuable tips for budding sports photographers, including what gear to use and how to get started.

Check out the full Q&A below!

Check out that flex! Rapid fire action captured at just the right moment

Hi, I’m Peter Podlaha, a Sydney based photographer specialising in product photography and E-commerce with a fierce passion for high-intensity sports.

I’ve been clicking away on a full-time basis for 8 years; however, beyond that, the camera was never far from my hands. I work for a manufacturer of model trains and get to photograph models and collectables on a daily basis.

Aside from product photography, I love photographing sports, in particular, one that’s often forgotten about here in Australia; Ice Hockey.
It’s the raw emotion, struggle through physical pain and exhaustion mixed with a relentless, competitive drive to win that draws me in.

Following a fast-moving object like an ice hockey puck—sometimes travelling up to 160km/h— mixed with [the players’] blood, sweat, and tears gets my own adrenaline going. It allows me to give back to a sport and community that’s given so much to me my whole life.

Outside the studio and rink, you’ll often find me capturing the city and country around us. Landscapes and nature are where my creative juices start to flow. They allow me to express myself in a way that isn’t limited by a creative brief or four walls.

This is where the modern era of digital is put aside and a generation of tradition comes to life. For me, there is no greater way to do this than to emulsify it on film.

I can push, pull, and cross process in a way that’s been done for years. This freedom in camera and in the darkroom is where my limitations end and my creativity begins.

This is what drives me, this is what intrigues me, and this is what sets my heart on fire.

Sharp focus and a dramatic, blurred background shows off the need for speed

1.      Q. How did you get interested or started in sports photography?
          A. I got started in sports photography in 2011 with the help of one of my best mates. We’re both hockey players and we’d hang out before games photographing around Sydney, then go to hockey and I’d shoot the games. I would post the photos on social media for the players and quickly became well known in the community. In 2013, I became an official photographer for the Sydney Bears ice hockey team and was also approached by the AIHL (Australian Ice Hockey League) and have been an official photographer of the league to this day.

2.      Q. Favourite sport to shoot and why?
          A. My favourite sport to shoot is Ice Hockey. It’s my passion and having played since I was 8 years old helps a lot as you need to be able to anticipate the play due to the speed of the game. It also means I get to see the games for free! Perks of the job.

3.      Q. Is there a sport you hate shooting? Why?
          A. I wouldn’t say I hate shooting any sports. I’d photograph any sport and love the challenges each one presents.

4.      Q. Is there a sporting event you’d LOVE to shoot?
          A. A sporting event that I’d love to shoot is a game 7 of the NHL Stanley Cup final. Or the Olympics; that’d be awesome too. I’d shoot any event there, even table tennis or curling.

5.      Q. What’s your favourite lens to use? Do you ever use wide angles for sport?
          A. My favourite lens for sports has to be my Canon EF 70-200 f/2.8L USM. It practically lives on my camera. I’ll sometimes use a wide angle for a bit of a different perspective, though I use telephoto lenses most of the time.

Hockey isn’t always blood and bone-shattering hits. Sometimes, there’s smiles and celebrations all round!

6.      Q. How do you feel about weather sealed lenses? 
          A. Weather sealed lenses are great! Especially with a weather sealed body. I don’t like getting my gear wet, but it’s nice to know I can keep shooting without needing to worry about the odd bit of rain.

7.      Q. If money were no object, what would be in your sports photography kit?
          A. I shoot on Canon cameras, currently an EOS 7D MkII with a 7D backup. If money were no object, I’d have two EOS 1Dx MkII bodies, 70-200mm f/2.8, 24-70mm f/2.8 and maybe some nice wide angle and standard prime lenses. A 300mm f/2.8 and 400mm f/2.8 would be welcome additions too. 

8.      Q. How competitive is the sports photography industry? How do you go about gaining an advantage?
          A. This industry can be pretty competitive. At some games, there may be 2 or 3 photographers. To get an advantage, I try to stay ahead by having a plan of which shots to get, which players to look out for, and getting other interesting images of the crowd. I often find myself rushing home to get my images sent off to the league before other photographers. I also like to look through other photographers galleries to see what they’ve done differently and build on that for my next shoot.

9.      Q. In your opinion, what’s the best entry level lens for sports?
          A. I used the Canon 55-250mm f/4-5.6 kit lens for about 2 years before I decided I was getting more serious and had to upgrade. If you’re shooting outdoors, it can be a great entry level lens, though for indoor sports you’ll need to raise your ISO to compensate. If you’re on a budget, the best bang for buck would have to be a sigma 70-200mm f/2.8 EX DG OS HSM lens.

10.  Q. What kind of advice can you give beginners looking to start?
          A. If you’re looking to start sports photography, just look at the people around you. Everyone has a family member or friend who plays sport. Next time they have a game, tag along. Local club sports are a great starting point. Just make sure to get permission from coaches and parents first. Study the sport you want to shoot and look at what other photographers are doing. If you see another photographer at the event, don’t be afraid to ask them for pointers. When starting out be prepared to volunteer your time too. 

11.  Q. BONUS QUESTION – Single shot or spray and pray?
          A. When shooting sports, my camera is always in high-speed continuous shooting mode. There are techniques like tracking (a subject) or panning with the camera and shooting a sequence of shots. It's more of a matter of knowing how and when to use them effectively. With fast-paced sports like hockey, I’ll shoot bursts of about 3 frames. If I want to get a shot of a hockey player’s stick bending as they shoot, I’ll let off a longer burst. When I need to shoot a single frame, it’s easy to do even with continuous mode on. 

Concentrating is hard work. Don't forget to check behind you there, mate!

All images in this blog post were provided by Peter Podlaha. See more of his work on his website www.injectedideasphotography.com
Also, if you’re in Sydney, try and catch him in action at AIHL games around the city!

Challenges When Shooting Sports

by Daniel Smith

All images by Nick Hodgskin of Nickeh Films.

Sports can be a challenging photographic subject but with the right gear and an understanding of the principles, great results are close at hand. There are a range of challenges that need to be overcome when shooting sports and we will cover some here.


Moving subjects
Depending on the results that you are chasing you generally want to freeze the action. The speed of the runner, cyclist, skateboarder or pole vaulter will determine how fast of a shutter speed you need. When an object is moving across the frame the movement will be more apparent than if it is moving toward the camera. To freeze the action a shutter speed faster than 1/500th of a second should suffice. It is always good to experiment.

You may find that the blur of the motion in the frame can add to the dynamic nature of the shot. If using a slower shutter speed for this, use a tripod to steady the camera or brace yourself against a static object. When using slow shutter speeds to show this blur, a shot will usually look better if there is a part of the frame that is sharp as a reference point.



Distance between camera and the athlete
If you are shooting sport on a field or oval the players are often a bit of a distance away. You need a long lens to bring the action in close. Sports shots will suffer if you are either not close enough to the action or not able to bring it up close enough with a long lens. An effective sports image needs to make the viewer of the image feel like they are there. Surf photography is an example that requires a long lens due to the distance from the action. It is not unusual for top surf photographers to use a 600mm lens. Sports photographers will often shoot with anything from a 200mm lens right up to a 1200mm lens.

On the flipside, at times the physical distance from the sportsperson needs to and can be much closer. Action sports such as BMX, skating, scootering can benefit from a closer perspective. When shooting freestyle action sports often there is a relationship between the rider and the terrain, urban environment, ramp or jump and this is often best represented close up. The dynamic nature of the movement of the rider in conjunction with the relationship to the board, bike, or scooter looks good at a close perspective. A wide lens skews that perspective and can emphasise scale, adding to the impressive nature of the trick. A second purchase after the camera for an avid action sports shooter is often a fisheye or wide angle lens.



Light
This can be a challenge in many facets of sports shooting with both low and high amounts of light causing problems. Games are often held at night in stadiums and sports fields and when you have to shoot at a high shutter speed to freeze the action it does not give you much leeway. To combat this you need a good (fast) aperture on your lens to let in the most light and good low light performance on your camera (high ISO) makes a big difference. Shooting in a stadium during the day also has its issues with the variance in light between sun and shade. Shooting in direct sunlight is always a challenge and if you’re not close enough to balance the light with some fill-flash if can be hard to contend with. A good availability of light does make for a faster shutter speed which is beneficial.



Focus
Focus can be hard to get right when shooting sports because of the fast moving overlapping subjects and changing light you will need a camera with advanced focusing options (7D mkII just announced). Some cameras utilise a high end focus tracking that can preempt the movement of the subject and is able to identify when someone else crosses into frame. Game sports have people moving around in front of the subject you are shooting and the cameras autofocus system needs to be advanced enough to understand where to hold focus on your main subject.


Experiment and try lots of different things. Try to create images that stand out from the standard images you see in the genres of sports photography, choose a different angle or perspective to display a unique viewpoint.

A look at outstanding images from a large event like the Olympic Games will yield an artistic set of images that represents the moment by highlighting the action, the event, the light, a reaction, interaction, all captured in a unique way.







Images © Nick Hodgskin 2014.


A Call to Action!

Unless you’ve been hiding under a rock-climber for the last few years you’ve likely heard of action cameras or at the very least “GoPro”.   These tiny wearable video cameras have taken the sports/recreation scene by storm and now account for an enormous (and still growing) slice of the video camera market pie.  If you’ve yet to pick up an action camera for yourself or know someone who has it high on their want list, it might pay to brush up on your facts and figures. Let us help with the below information. 
Grab your helmet and strap yourself in as we give you the run down on what’s available and who it’s likely to appeal to.

GoPro Hero 3 Range

The big name in Action Cameras for many years, GoPro was once sought after only by extreme sports people and hardcore divers looking to record their unique past-times.   Thanks to some excellent footage captured by these top users, demand for GoPro among the wider public has soared.  Attach the camera to your head, car, bike, surf board, skate board… press record and do your thing.  Today GoPro is available in 3 different flavours, and a couple of very recent revisions.
GoPro White Edition:
Entry point to the GoPro range, the White Edition packs all the fun and waterproof ruggedness into a low cost package, ideally suited to casual/family use.  GoPro White is compatible with all of the GoPro mounts and accessories and still features built in Wi-Fi connectivity for Smartphone/Tablet remote control.  Full 1080 HD video capture is present with 5MP stills and the same 60m waterproof housing as higher models in the range.
GoPro Silver and Silver+ Edition:
Middle child of the GoPro set, the Silver Edition builds on the specs of the White Edition increasing the still photo resolution to 11MP, time lapse and adding a 10 frame per second burst shooting, advanced recording modes such as looping video, manual white balance and ProTune aimed at cinematic colour grading.  The new Silver+ improvements include reduced size and weight, 30% better battery life, faster Wi-Fi access and better lens optics for even sharper footage.
GoPro Black+ Edition:
Feature packed and among the most wanted, the GoPro Black+ Edition crams so much into its tiny form factor to easily please even the most discerning video adventurer.  Used by professionals in the sports broadcasting, documentary filmmaking and news/journalism fields and loved by enthusiasts the world over.  The GoPro Black+ Edition comes bundled with its own wireless waterproof remote, ability to record higher than Full HD at 4K and 2.7K resolutions, slow motion capture of up to 120fps as well as improvements to low light capabilities and still image capture and a better lens, smaller (by 30%) form factor and better battery life than the recently replaced Black Edition.

Competitive Spirit

While GoPro are the undisputed kings of action cameras, there are still two places on the podium.  Contour and Sony both have enviable reputations in the marketplace.
Contour
Contour, one of the original action camera manufacturers has two cameras in their current range, the ROAM2 and the +2.
This is the entry level Contour camera and features a 270 degree f2.8 lens projecting onto a high quality 5 megapixel sensor.  This camera records at full high definition at 30fps and high definition at 60fps and is waterproof without a case down to 1 metre with an optional housing that goes down to 60 metres.   The lens rotates 270 degrees for level mounting on any angle surface and has an easy to activate record button.
The +2 has a lot of the same features as the ROAM2 but with a better quality lens and better low light performance. It also features built in GPS functionality and Bluetooth connectivity.  It also does full high definition video and 120fps slow motion video at 480p.
Sony
Sony has just announced its all-new Action Cam HDR-AS100V (as detailed in our blog below) – it’s a new splash proof wearable video camera that records high-quality Full HD pictures. Due in Australia in March.
Currently available, the Sony HDRAS30V is an awesome action camera from the electronics giant.  It is almost the same as far as sensor and lens (170° Ultra-Wide Angle Carl Zeiss Vario-Tessar Lens) as the previous version but with a few new tricks added to keep it very current.   This video camera uses the excellent Exmor R Back-Illuminated CMOS sensor for great colour reproduction and very good low light performance.  The recording options go up to 60fps at full high definition or high definition at 120fps.  You can also record slow motion video at 120fps or 60fps at a resolution of 1280 x 720p.  Still images can be captured at 11.9 megapixels.  Connectivity options are ample with the camera featuring Wi-Fi and NFC compatibility.  It also has GPS built in, of course.  You can buy this with an LCD housing to give it an LCD screen so it can be used as a normal camcorder and it also has a universal mount adapter included to fit all of your existing GoPro mounts.  This camera is excellent value for money.
So, when looking around for cameras to capture your adventures don’t just limit yourself to the GoPro range.   There are a lot of options out there for recording high quality video footage of you and your friends crashing/jumping/winning/riding your favourite extreme sports.

Sneaky Game Changer - GoPro HD HERO3!

Typically announcements from GoPro are mercilessly leaked and rabidly anticipated months prior to the eventual release.

In the case of the new GoPro HD HERO3, it seems to have slipped under the radar only to have unleashed with a phenomenal bang on October 17 2012. Now one of our most asked-about cameras, this industry fireball is available for preorder with the first shipment expected in Mid November.


This generation comes in Black, Silver and White editions. The Black Edition is the pièce de résistance, a GoPro that is 30% smaller, 25% lighter and 2x more powerful than previous models. It comes with the waterproof Wi-Fi remote for ultimate control at a distance, and perhaps the most amazing feature is the ability to shoot 4K Cinematic Video at 12fps. Nope, that's not a typo; your adventures will be reproduced in the most stunning detail and colours yet (and also munch a lot of the memory on your MicroSD cards).  You can also shoot gorgeous 12 megapixel still photos and a lot more, but we're still getting over the 4K video.

The Silver Edition offers a similar diminutive body packed full of performance, but leaves the video at a still-respectable HD 1080p/24, while incorporating built-in Wi-Fi (though you'll have to buy the remote with this one) and 11MP stills with 10fps continuous shooting.

The White Edition is the entry-level, basically offering similar specs to the Original HD HERO in a smaller, lighter Wi-Fi enabled package with the brand new User Interface.

All editions of the HD HERO 3 are compatible with the insanely fun GoPro app for smartphones and tablets, allowing live video preview and control right from your device. They also support most mounts and accessories in the existing range.

For all the details and to preorder your own adventure-recorder, better head to our website!