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Showing posts with label e-m1. Show all posts
Showing posts with label e-m1. Show all posts

A Day Out with Dan Cantero and the Olympus OMD E-M1 Mark II


Watch below our awesome Day Out video recorded entirely with the Olympus OMD E-M1 Mark II



Recently, we had the amazing opportunity to spend time catching up with photographer and DCW customer Dan Cantero in his natural habitat; the beach-side Sydney suburb of Manly.
For our Day Out, we all decided to go for an un-romantic walk along the beach to play with the
Olympus OMD E-M1 Mark II camera. Of course, we recorded the whole thing , as Dan gave us some excellent professional insight about how this camera performs.  



Dan’s always had a passion for photography; that much was obvious from the look on his face when we asked him how he first got started. As a youngster, and perhaps like many of us, he was amazed by the concept of photography, recalling childhood memories of looking through old shoeboxes full of photos and marvelling at the idea of a little machine that could freeze moments in time for him to hold in his hands and look at whenever he wanted.

Whether he knew it back then or not, that curiosity and wonder would become the driving force to turn passion into profession.

One of Dan’s favourite pieces, affectionately dubbed “The Muscle Man” See Dan at work on his Facebook page

Dan’s been working as a professional photographer for 4 years now, building two successful businesses in that time: Capture Photography, whose main focus is family portraits and photos, and Dan Cantero Photography which is more commercially oriented.  Having rapidly established himself as an industry professional, Dan is quickly moving towards photography becoming his full-time occupation.

Both of his businesses offer photo and video services which, in today’s video-saturated society, is becoming more and more in-demand.  “That’s where we see a lot of the business going.”  He mentioned, as we picked his brain for advice.

One of Dan’s lifestyle product shots that shows off his eye for composition and lighting. Check out his Instagram

Over the past year, he’s had more interest and requests for video work and has added this sought after service to his expanding list of offerings. “I think it’s just going to get bigger so we’ve introduced that into our business to complement what we already do.”  He goes on to note that photographers already possess the skills and state of mind needed to make the jump to video relatively quickly. It just takes a little bit of time and the right gear.

Behold, the big gun, the hot topic, the Olympus OMD E-M1 Mark II in all its flagship glory.


Enter the Olympus OMD E-M1 Mark II. It’s the latest and greatest flagship model from Olympus, complete with 4K video recording, 5-axis stabilisation, a 20.4 megapixel sensor, and more, all wrapped up in a compact, weather-sealed body. It’s a professional level powerhouse without all the added heft.

Luckily, we happened to know a small bit of Dan Cantero trivia prior to all this: He’s never without his trusty Olympus E-M5. You can tell it’s been across the globe just by looking at its well-worn and well-loved little body. It’s also proven itself to be the perfect travel companion and a reliable alternative to hauling his bulky DSLR kit around.

Knowing all of this, we were eager to get Dan’s professional opinion on the top-end Olympus to see how it compared to his E-M5, but more importantly, how it measured up to his Pro DSLR gear.

Here’s Dan finally getting a feel for the Olympus E-M1 Mark II ergonomics.

Being familiar with Olympus cameras certainly helped things along, but right from the start, Dan was impressed by the updated, upgraded, and completely new features on offer.
We gave him a
12-40mm f/2.8 PRO, (equivalent to a 24-70mm workhorse), as well as the 12-100mm f/4 PRO lens so he could experiment with Olympus’s new Sync IS feature, which combines body and lens image stabilisation for ultra-steady results.

As the afternoon wore on, it became clear that this mirrorless dynamo was passing a lot of little tests for Dan. So much so, that we actually became worried we wouldn’t be able to pry it out of his hands at the end of the shoot.

Seeing Double? While Dan was getting to know the E-M1 Mark II, we were filming the encounter with one of our own.

For professionals, it goes without saying that your gear is a huge investment, so you want to makes sure it’s a good one. As Dan mentioned throughout the day, this camera is a solid performer and a handsome one too.

It’s often pointed out that appearance matters “I think it just looks the part. If you turned up to a commercial shoot with this, no one’s going to ask any questions. It just looks like a professional camera body as well and is extremely capable of getting really, really good images.”  

While it might seem like an odd complaint, the small, often minimalist and/or old-school designs of mirrorless cameras can make people feel wary of their capabilities. In the past, Dan’s been reluctant to make the switch from DSLRs for his client shoots due to these kinds of impressions. But that’s already starting to change.

 Dan’s well-loved Olympus E-M5 poses for a quick snap in front of its bigger, newer, shinier brother.

For Dan Cantero, this camera ticks all the boxes for professional use; it’s solid and feels great in hand with a bigger, ergonomic grip.  It features much desired dual memory card slots, 4K recording, in-body stabilisation, and a high-capacity battery to keep it going for hours. It also offers a selection of customisable buttons and settings to reduce the amount of time spent lurking around in the menu. And that’s only the tip of the iceberg.

It’s these kinds of little considerations that really bring to light the attention to detail that went into designing the Olympus E-M1 Mark II, creating a truly premium product. With all the right framework for aspiring and seasoned professionals alike, plus a compact form factor that fits all kinds of lifestyles, the E-M1 is quickly becoming a favourite among shooters.

All in all, we were incredibly happy to give Dan the opportunity to put the Olympus OMD E-M1 Mark II through its paces. We loved getting first-hand insight on how this camera handled itself in the hands of a pro with high standards. Spoiler alert; it definitely stacks up. 

Dan Cantero is an accredited professional photographer and long standing DCW customer.
See more of his work.

http://www.dancantero.com.au/
http://www.capturephotography.com.au/

Are you a professional photographer keen to share your opinion on the latest camera gear? Reach out to us at content@digitalcamerawarehouse.com.au



Guest Blog - Olympus at Work with Rachel Devine

Guest Blog #1
Over the next week at DCW we will be publishing and sharing a number of daily guest blogs from our partners and guest photo bloggers. Our first contribution comes from commercial photographer and photo blogger Rachel Devine. Rachel has been shooting consistently with the Olympus System since 2014. Find out a little more about how she uses Olympus for her work.


Olympus at work
with Rachel Devine


I was first introduced to the Olympus system through the OM-D E-M10 as a family holiday camera in 2014. I was so impressed with the performance and features of that model that I wanted to see if the OM-D E-M1 could revolutionise my professional photography as well.

From the first professional shoot I did with the OM-D E-M1, it was clear that it was a game changer for my career. The camera is lightweight yet still powerful. I was able to get all the shots I needed with no physical strain. The OM-D E-M1 is small enough that it is not at all intimidating to my models on commercial shoots yet sturdy enough that it can keep on shooting all day long. Despite the small size, the camera with its 16.3 MP Live-MOS sensor and Image Processor was able to capture accurate colour and detail while rendering the image with minimal noise in unpredictable lighting situations which is essential to a natural light photographer.





The autofocus system on the camera is fast and accurate even in low light situations and that is an essential feature in my career of photographing fast moving kids. You can set the autofocus to find faces or even refine that down to focusing on the closest eye to the camera. For product shoots and detailed imagery, I like to switch over to manual focus. Here is where the OM-D E-M1 absolutely shines. With focal area enlargement and focus peaking both turned on in the manual focus assist menu settings, I can be absolutely certain that I have tack sharp focus even in macro images with extremely shallow depth of field. What this means is that when I choose the focal point and press the shutter halfway down the selected area of the image is enlarged in the viewfinder. As I turn the manual focus ring the outline of what is in focus begins to glow white at the edges when it is sharp. No more second guessing my eyesight, I know that I have nailed the focus.




The controls on the OM-D E-M1 feel so natural in my hands that I can make necessary adjustments to exposure without taking my eye off the viewfinder. The buttons and dials are all customisable so I have set them to perfectly reflect my shooting style. One of the main benefits of this system over the DSLR is the live electronic viewfinder. I feel more engaged with my subjects with my eye to the viewfinder instead of on the LCD and the viewfinder on the OM-D E-M1 displays the changes to the resulting image as I make them. Now I can shoot confidently through the viewfinder knowing that my shots are perfectly exposed as I press the shutter release without having to stop and check the LCD.As my clients come to me for PR imagery and time sensitive campaigns, I must get my images right in camera so that the editing is minimal and the turnaround time is extremely quick.

With a short deadline and the client present at the shoot, I depend on the OM-D E-M1’s wireless capability. I can either shoot invisibly tethered to an iPad using the camera’s inbuilt WiFi and the Olympus Image Share app or I can transfer the shots wirelessly to the iPad at the end of a session with the same technology. With Live View on the iPad via the Olympus Image Share app, my clients can see the photographs as they are taken without having to stand over my shoulder. With the flexibility of wireless available on all Olympus PEN & OM-D cameras, it allows us to not be physically tied to a computer or confined to a studio. As the input from the client is in real time, adjustments can be made in the moment avoiding the need to set up that particular shot again. All of these innovations with the OM-D E-M1 mean happier clients who feel like they are a part of the process. This feature happens to be my favourite for my family photography as well. The kids love to control the camera for family selfies and with the images then on my phone, I can share them immediately online.

In the case of headshots, editorial and PR photography where deadlines can be even tighter or even immediate in the case of events, I can shoot and transfer to the iPad on site so that the client makes their image selections as soon as we are finished shooting. If there is any editing to be done, I can simply import the selects into Lightroom on my iPad. Simple alterations of exposure, white balance and cropping can easily be done in the app to the delight of the client. If any larger editing requests come up such as complex skin retouching, it is easy with the Creative Cloud version of Lightroom to transfer the working file to my Macbook Pro laptop to finish in the full version of the program on there. Then again, that is rarely needed and most of my headshot clients leave the session having selected their photos, approved the edits and received a link via email to their gallery of final files hosted on my site without the images having even touched a computer.



The way shooting with the OM-D E-M1 has streamlined my photography business is the biggest development I have experienced since going from film to digital in 2004.
I love taking photographs. It has been my passion and career for a long time and shooting with the OM-D E-M1 means I can spend more of my time taking great photographs and making clients happy than sitting at my computer and editing images.

Author Bio
Rachel Devine is a commercial photographer and photo blogger. She has worked in the children’s media industry since the beginning doing headshots and PR imagery for many child actors and models. She has shot ad campaigns and kid clothing lines as well as branching out into photographing grown-ups too. From Los Angeles, California, since 2008 she has called Melbourne, Australia home. This year marks her twentieth anniversary in the photography business. Rachel is the author of four photography books including Beyond Snapshots (Random House/Amphoto/Ten Speed) and Life in Natural Light (Digital Photography School). In her two decades of professional photography she has used most every camera format out there from instant film to large format, but has not shot with anything except the Olympus system since 2014.