Recent Tweets

Showing posts with label image stabilisation. Show all posts
Showing posts with label image stabilisation. Show all posts

An Introduction Binoculars and Why They’re Cool



Binoculars are one of those things that people find really fun and cool, but sometimes don’t know what to do with. Or what all the numbers mean. Or what all the weird terms are. Why do I even need these?

Well, for certain kinds of photography they can be incredibly important. For example, if you want to take pictures of wildlife, you have to find it first and binoculars can help with that.

First, let’s dissolve some of the confusion and give you a clear view of why these gadgets are so handy.

What’s with the numbers?

When looking at binoculars, you’ll notice there’s numbers everywhere like they’re supposed to mean something. Well, they do.

These numbers, like 8 x 42 or 10 x 50, aren’t just multiplication. They represent the amount of magnification the binocular provides and the diameter of the front objective lens which is responsible for gathering light.

Magnification x Objective Lens Diameter - So for 8 x 42 binoculars, you know you’re getting 8x magnification, with a 42mm objective lens to capture light and transmit the scene to your little eyeballs.

Obviously, a larger objective lens can gather more light, meaning you’re able to view a brighter image. But bigger doesn’t always mean better. Remember, you have to carry these things around.

Great, got it. Now what?

Now we’ll get into a few other terms you might encounter when searching for the perfect pair of binos. Yes, there’s more than just magnification and objectives, so strap in for a quick breakdown.

Field of View – Exactly what it sounds like. It’s how much of the scene you can see when looking into the eyepieces.

It’s good to note that as the magnification increases, the field of view decreases, so going with high magnification isn’t the be-all and end-all.

If your main use will be general viewing or spotting good locations and wildlife, having a wider field of view is ideal. It’s also better for tracking faster-moving animals which are challenging enough to catch in the first place.


We’ve all noticed this little bright dot when we hold up a pair of binoculars.

Exit Pupil – A virtual aperture that light passes through to reach your eyes. Just like a lens with a camera. Except in this scenario, the camera is your head.

If you’ve ever held a pair of binoculars away from your face, you’ve probably noticed a little bright dot in the eyepieces. That’s the exit pupil and yes, there’s maths to calculate its size.

Objective Lens Diameter ÷ Magnification
Example:  8 x 42 binoculars would be 42 ÷ 8 = 5.25mm exit pupil.

Cool, why does this matter? Well, just like some lenses are better in low light, the same is true for binoculars. Wider exit pupils send more light to your eyes which is better in dim lighting. It isn’t as much of a factor for daytime use, but at dawn or dusk, a larger exit pupil will help.

Bonus fact:  Because human eyes dilate in darker conditions, they’re able to make better use of the amount of light transmitted by a larger exit pupil so your image looks brighter. #suddenlyscience


Pretty easy to spot the difference between Porro prism binoculars (left) and a pair with roof prisms (right).

Prism Type –Binocular optics use either roof or Porro prisms. Usually, you can tell by how they look; if the eyepieces and objectives lenses are in a straight line, they’re roof prisms. If the objectives are wide-set and not aligned with the eyepieces, the binoculars are Porro prism based.

In the past, Porro prisms were the way to go for image quality as they could reflect more light and provide a much clearer, brighter image. Their design, however, makes them a bit heftier, so they’re not always the most portable option.

Roof prisms are positioned in parallel with the lenses and eyepieces, meaning the body size can be more compact. The downside of this style was that it used to reflect less light, so image quality wasn’t the brightest.

Nowadays, the choice mostly comes down to cost. With the introduction of lighter weight materials and more reflective prism coatings, both styles can perform similarly. If you’re looking to save a few bucks without compromising on image, grab a pair of Porros and for portability, look into some good roof prism based models.

Phase Shift – This applies to roof prism binoculars. If you’re leaning toward this style, make sure you look for phase correction coatings.

When light enters the optics and reflects off the prism’s multiple surfaces, the light becomes partially polarised and splits into two misaligned beams.

Without corrective coatings, overall image quality will suffer from lower contrast and clarity, so you definitely want to make sure your chosen pair has the right coatings for a better and more accurate viewing experience.


Image Stabilisation (IS) – Some binoculars have image stabilisation to minimise the appearance of shakiness and movement. This is a really great feature if they’re going to be used every day for critical viewing applications, like rescue spotting or even just to help reduce fatigue.

Of course, some binoculars have a tripod thread, but if you’d rather go handheld, IS will make a world of difference.

If you’re planning to go down this route, Canon has some of the best options available. We were lucky enough to get our hands on some and let me tell you, we spent a lot of time peering out our office windows and whispering “Wow…” when the stabilisation kicked in.

In the above video, you can clearly see the huge difference it makes. Both the view and movement get much smoother and easier to track. The subject, on the other hand… kinda suspicious looking.

To understanding what is happening internally with image stabilisation, Canon have put together this demonstration video of the moving parts inside of one of its binoculars.



And now, young grasshopper, you’re ready

You may have noticed a common theme in the above terms and features. Much like cameras, some binoculars are more suited to certain applications than others. Choosing the right pair depends quite heavily on what your primary use will be, so it’s important to determine that before buying.

A compact pair of roof prism binoculars, 8 x 32 or 8 x 40, is a reasonable starting point for the casual observer. These are easily portable and can be found more cost effectively while still offering a good amount of light transmission, magnification, and field of view.

There are more purpose-built options out there, but that depends on you. Binoculars aren’t a requirement for any kind of photography, but they can sure as heck make it a lot easier to suss out good shooting locations or track and spot photogenic wildlife.

Hot tip for all you astro-photographers out there! Binoculars make a great celestial object spotting tool.
Of course, binoculars aren’t just for spying on animals. Certain models work well for other cool hobbies, like stargazing, and make an awesome companion for a telescope or camera.


A photographer’s arsenal can seem endless, but once you make the jump towards a certain style, you start finding the little things that can make a big difference to your images.

Hopefully this has helped demystify binoculars a little bit and given you a few reasons to think about getting some for yourself!

If you’re up for more binocular chat and tips, give us a shout on our social media channels!

Facebook: Digital Camera Warehouse
Instagram: @dcwarehouse



New Canon Camera Announcements - Powershot SX600, Powershot N100, Legria HF R506 & Legria mini X

As a welcome to 2014, Canon has announced a number of new products overnight. These models will be available to preorder at Digital Camera Warehouse soon!

PowerShot SX600 HS
The PowerShot SX600 HS is a perfect travel companion – it combines a superzoom lens in slim and stylish compact body, with flexibility to shoot wide-angle panoramic landscapes, sweeping scenes and the ability to capture distant objects up close. The PowerShot SX600 HS also has an impressive 18x optical zoom and high quality 36x ZoomPlus technology to take you even closer to the action.

Key features:

  • Newly developed DiG!C 4+ imaging processor
  • 16.0 MP, High Sensitivity image sensor
  • Newly developed 25mm, 18x optical zoom lens, 36x ZoomPlus
  • Advanced Creative Shot and Intelligent IS
  • Wi-Fi, NFC & Mobile Device Connect Button
  • Full HD movies recorded in MP4 format (1920 x 1080, 30 fps)


PowerShot N100
The PowerShot N100 is Canon’s first compact camera to feature both front and rear facing cameras, allowing simultaneously capture of the behind-the-camera and the in-front-of camera stories. It features optical technologies similar to those found in the PowerShot S Series, for exceptional quality images.



Key features:

  • 12.1 MP, High Sensitivity image sensor and 24mm, 5x optical zoom lens
  • DiG!C 6 imaging processor
  • 3.0”, tilt LCD (rotation angle: approx. 90 degrees upwards), touch-screen monitor
  • Story Camera is available to record images in Digest Movie and Dual Capture (new scene mode)
  • Story Highlights capable of automatic photo album generation in the camera via a dedicated button
  • Advanced Creative Shot and Intelligent IS
  • Wi-Fi, NFC, Mobile Device Connect Button & Favourites button
  • Full HD movies recorded in MP4 format (1920 x 1080, 30 fps)


LEGRIA HF R506
For those who want to record life’s most precious memories in stunning quality, the LEGRIA HF R506 combines Canon’s Full HD video system and optical Image Stabiliser technology with intuitive audio functionality - an ideal next step for those currently shooting movies with smart phones or compact cameras.



Key features:

  • 3.2 Megapixel Full HD CMOS sensor
  • 32x optical zoom, 57x Advanced zoom
  • High res 3.0” touch screen LCD (capacitive type)
  • Baby Mode
  • Optical Intelligent IS
  • DiG!C DV4 imaging processor
  • Audio Scene Select
  • Superb quality AVCHD and MP4 recording
  • Creative features i.e. Cinema-Look filter, Touch Decoration


LEGRIA mini X


The LEGRIA mini X is a brand new creative camcorder offering professional quality audio and stunning HD video to match. Advanced sound and a highly flexible design, makes it ideal for almost any kind of video capture, and perfect for everyday storytellers.




Key features:

  • Large Stereo Mic; Wide Dynamic Range
  • Linear PCM – CD quality audio
  • 170°ultra-wide angle lens for still shooting, 160°for video shooting
  • Vari-angle LCD; built-in stand
  • Wi-Fi: remote monitoring & sharing
  • Switch from ultra-wide to close-up
  • Full HD, AVCHD & MP4 support
  • Manual audio control
  • Slow & fast motion; interval recording
  • Compact and portable 

Fujifilm - New Camera's Announced - Finepix S1, FinePix S8600 & FinePix XP70

Fujifilm announced overnight the launch of a number of new cameras to their range. These models will be available to preorder shortly from Digital Camera Warehouse.

Fujifilm Finepix S1
The new Finepix S1 is the world's first weather-resistant bridge camera. The S1 is loaded with new technologies to improve picture taking and advanced creativity, including a powerful 50x image-stabilised optical zoom lens, wireless communication, full HD movie function — all wrapped in a robust dust and water-resistant body.




FinePix S1 key features list:
  • Robust dust and weather-resistant bridge camera
  • 50x image stabilised optical zoom lens (24-1200mm equivalent)
  • 1cm super macro mode
  • 5-Axial Image Stabilisation
  • 16.4 megapixel 1/2.3-inch backlit CMOS sensor
  • AF speed of 0.14sec
  • Start-up time of approximately 0.68sec
  • Shooting interval of approximately 0.65sec
  • Maximum continuous shooting speed of approximately 10.0fps
  • 920K dot EVF
  • Vari-angle LCD screen
  • Time Lapse Interval Shooting function (up to every 10mins for 6hrs max)
  • 10 Artistic Advanced Filters
  • Wi-fi connectivity
  • Full HD Movie recording

Fujifilm FinePix S8600
Next up in new camera announcements is the FinePix S8600 camera which features a powerful 36x FUJINON zoom lens, a high-quality 16 megapixel 1/2.3-inch CCD sensor, and a host of creative features, all wrapped up in a pocket-friendly body; it's the all-rounder you can take anywhere.


FinePix S8600 key features:
  • Compact design
  • FUJINON lens with 36x optical zoom (25-900mm equivalent)
  • 16 megapixel 1/2.3inch CCD sensor
  • Optical Image Stabilisation (Lens Shift)
  • HD movies at 720p/30fps
  • 3 inch LCD monitor (460k dots)
  • Face Detection (up to 10 faces)
  • Mode Dial (P/S/M and Burst Shooting mode)
  • 10 Advanced filters for creative effects
  • Mini HDMI output
  • Powered by 3×AA alkaline batteries with an approx. 250-shot battery life


Fujifilm FinePix XP70
Also announced is the arrival of the new FinePix XP70, which enables all-action photographers to take great pictures and movies before sharing them instantly. The 16.4 megapixel waterproof, shockproof, freezeproof and dustproof compact features wireless connectivity for simple sharing with a smartphone or tablet along with a host of powerful picture taking features.





FinePix XP70 key features:

  • Waterproof to 10m, Shockproof to 1.5m, Freezeproof to -10℃ and Dustproof
  • 16.4 megapixel 1/2.3”-inch CMOS sensor
  • 5x optical zoom with 28mm wide-angle setting
  • Wireless connectivity for instant image and movie sharing
  • Full HD movie capture
  • Action Camera mode
  • Optical Image Stabilisation
  • 10 Advanced Filters
  • High Dynamic Range (HDR) capture
  • Motion Panorama 360°