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Showing posts with label Micro Four Thirds. Show all posts
Showing posts with label Micro Four Thirds. Show all posts

A Day Out with Dan Cantero and the Olympus OMD E-M1 Mark II


Watch below our awesome Day Out video recorded entirely with the Olympus OMD E-M1 Mark II



Recently, we had the amazing opportunity to spend time catching up with photographer and DCW customer Dan Cantero in his natural habitat; the beach-side Sydney suburb of Manly.
For our Day Out, we all decided to go for an un-romantic walk along the beach to play with the
Olympus OMD E-M1 Mark II camera. Of course, we recorded the whole thing , as Dan gave us some excellent professional insight about how this camera performs.  



Dan’s always had a passion for photography; that much was obvious from the look on his face when we asked him how he first got started. As a youngster, and perhaps like many of us, he was amazed by the concept of photography, recalling childhood memories of looking through old shoeboxes full of photos and marvelling at the idea of a little machine that could freeze moments in time for him to hold in his hands and look at whenever he wanted.

Whether he knew it back then or not, that curiosity and wonder would become the driving force to turn passion into profession.

One of Dan’s favourite pieces, affectionately dubbed “The Muscle Man” See Dan at work on his Facebook page

Dan’s been working as a professional photographer for 4 years now, building two successful businesses in that time: Capture Photography, whose main focus is family portraits and photos, and Dan Cantero Photography which is more commercially oriented.  Having rapidly established himself as an industry professional, Dan is quickly moving towards photography becoming his full-time occupation.

Both of his businesses offer photo and video services which, in today’s video-saturated society, is becoming more and more in-demand.  “That’s where we see a lot of the business going.”  He mentioned, as we picked his brain for advice.

One of Dan’s lifestyle product shots that shows off his eye for composition and lighting. Check out his Instagram

Over the past year, he’s had more interest and requests for video work and has added this sought after service to his expanding list of offerings. “I think it’s just going to get bigger so we’ve introduced that into our business to complement what we already do.”  He goes on to note that photographers already possess the skills and state of mind needed to make the jump to video relatively quickly. It just takes a little bit of time and the right gear.

Behold, the big gun, the hot topic, the Olympus OMD E-M1 Mark II in all its flagship glory.


Enter the Olympus OMD E-M1 Mark II. It’s the latest and greatest flagship model from Olympus, complete with 4K video recording, 5-axis stabilisation, a 20.4 megapixel sensor, and more, all wrapped up in a compact, weather-sealed body. It’s a professional level powerhouse without all the added heft.

Luckily, we happened to know a small bit of Dan Cantero trivia prior to all this: He’s never without his trusty Olympus E-M5. You can tell it’s been across the globe just by looking at its well-worn and well-loved little body. It’s also proven itself to be the perfect travel companion and a reliable alternative to hauling his bulky DSLR kit around.

Knowing all of this, we were eager to get Dan’s professional opinion on the top-end Olympus to see how it compared to his E-M5, but more importantly, how it measured up to his Pro DSLR gear.

Here’s Dan finally getting a feel for the Olympus E-M1 Mark II ergonomics.

Being familiar with Olympus cameras certainly helped things along, but right from the start, Dan was impressed by the updated, upgraded, and completely new features on offer.
We gave him a
12-40mm f/2.8 PRO, (equivalent to a 24-70mm workhorse), as well as the 12-100mm f/4 PRO lens so he could experiment with Olympus’s new Sync IS feature, which combines body and lens image stabilisation for ultra-steady results.

As the afternoon wore on, it became clear that this mirrorless dynamo was passing a lot of little tests for Dan. So much so, that we actually became worried we wouldn’t be able to pry it out of his hands at the end of the shoot.

Seeing Double? While Dan was getting to know the E-M1 Mark II, we were filming the encounter with one of our own.

For professionals, it goes without saying that your gear is a huge investment, so you want to makes sure it’s a good one. As Dan mentioned throughout the day, this camera is a solid performer and a handsome one too.

It’s often pointed out that appearance matters “I think it just looks the part. If you turned up to a commercial shoot with this, no one’s going to ask any questions. It just looks like a professional camera body as well and is extremely capable of getting really, really good images.”  

While it might seem like an odd complaint, the small, often minimalist and/or old-school designs of mirrorless cameras can make people feel wary of their capabilities. In the past, Dan’s been reluctant to make the switch from DSLRs for his client shoots due to these kinds of impressions. But that’s already starting to change.

 Dan’s well-loved Olympus E-M5 poses for a quick snap in front of its bigger, newer, shinier brother.

For Dan Cantero, this camera ticks all the boxes for professional use; it’s solid and feels great in hand with a bigger, ergonomic grip.  It features much desired dual memory card slots, 4K recording, in-body stabilisation, and a high-capacity battery to keep it going for hours. It also offers a selection of customisable buttons and settings to reduce the amount of time spent lurking around in the menu. And that’s only the tip of the iceberg.

It’s these kinds of little considerations that really bring to light the attention to detail that went into designing the Olympus E-M1 Mark II, creating a truly premium product. With all the right framework for aspiring and seasoned professionals alike, plus a compact form factor that fits all kinds of lifestyles, the E-M1 is quickly becoming a favourite among shooters.

All in all, we were incredibly happy to give Dan the opportunity to put the Olympus OMD E-M1 Mark II through its paces. We loved getting first-hand insight on how this camera handled itself in the hands of a pro with high standards. Spoiler alert; it definitely stacks up. 

Dan Cantero is an accredited professional photographer and long standing DCW customer.
See more of his work.

http://www.dancantero.com.au/
http://www.capturephotography.com.au/

Are you a professional photographer keen to share your opinion on the latest camera gear? Reach out to us at content@digitalcamerawarehouse.com.au



Olympus PRO Lenses - The Focal Trinity

There is no shortage of lenses to attach to your Olympus Mirrorless Camera System. I counted around 30 on our website alone and that’s just the tip of the iceberg. That number more than doubles when you add in all the micro four third lenses and the older Olympus four thirds lenses that can be used with the Olympus adapter.


With so many lenses available for the micro four thirds mount Olympus offers an impressive range of lenses. We’re going to look at some of the lenses that you might want to focus on, but first why does it matter?

The glass you put in front of your cameras image sensor may be one of the most important elements (*pun intended) of your photography that can have a huge impact on the type of shots you’re able to capture.

For example, a fixed lens without a zoom may limit your framing options, a lens with a slow aperture might force you to shoot with a higher, grainier ISO setting, and a lens with no weather sealing could make you nervous if the weather starts to turn sour while shooting.


The Olympus 40-150mm telephoto lens mounted on an E-M1 Mark II experiencing a spot of wet weather.

So, what is the perfect lens for your Olympus camera? The one that perfectly complements your shooting style, but at the same time pushes you to explore new creative opportunities?

I would recommend considering a collection of lenses Olympus released named the M Zuiko PRO series. To be more specific, I would recommend three in particular. The 7-14mm F2.8, the 12-40mm F2.8, and the 40-150mm F2.8.

This “trinity” of lenses allow shooters to cover the most commonly used focal lengths to produce a range of shots from wide-angle landscapes and astro-photography to sports, nature photography and everything in between with cutting edge sharpness, and lightning fast autofocus speed.

1.             M.Zuiko Digital ED 7-14mm f/2.8 PRO Focal length: 14-28mm (35mm equivalent)
2.             M.Zuiko Digital ED 12-40mm f/2.8 PRO Focal length: 24-80mm (35mm equivalent)
3.             M.Zuiko Digital ED 40-150mm f/2.8 PRO Focal length: 80-300mm (35mm equivalent)

Let’s look at some of the features these lenses shared and find out why they are important.

Image Quality:
All three PRO lenses are razor sharp, using a combination of ED, EDA, Super ED, Aspherical, DSA, HD and HR elements which is a very complicated way of saying they employ the best lens optics available to produce crisp, super-detailed results. The lenses also use a ZERO (Zuiko Extra-Low Reflection Optical) Coating to reduce ghosting and flaring for clear shots even in back-lit conditions like when you’re shooting golden hour sunset portraits.

Constant F/2.8 Aperture:
The lenses also share a fast f/2.8 constant aperture. This allows you to zoom in and re-frame your shot without any loss of light for both video and stills. The fast f/2.8 aperture also means in low-light you can shoot with faster shutter speeds, without having to increase your ISO. It also lets you creatively blur the background of your shot with a shallow depth of field for a creative separation of subjects within your frame.

Comprehensive Weather Sealing:
Finally, the PRO series features a reliable and robust construction that makes use of a special hermetic weather sealing design to prevent dust and water from entering the camera body. The construction of the PRO lenses also provides freeze-proof protection down to -10°C so you can keep shooting when everyone else puts their gear away.

Olympus M.Zuiko ED 7-14mm F2.8 PRO Lens



The 7-14mm f/2.8 PRO lens is a fantastic wide-angle lens for low-light shooting and event photography that allows you to capture more of the scene. The combination of a bright f/2.8 aperture with an impressive zoom range allows you to shoot in dark conditions like wedding receptions or live gigs while still providing you with the flexibility to re-frame your shots.


A gigantic street sign seemingly stating the obvious.
7mm, 1/3 sec, f/2.8, ISO 320, Olympus E-M5 Mark II w/ 7-14mm f/2.8 PRO Lens


Olympus M.Zuiko 12-40mm F2.8 PRO Lens




The 12-40mm f/2.8 PRO lens is an absolute workhorse, with a 35mm equivalent focal range of 24-80mm it’s a new and improved version of the classic 24-70 with a little more reach at the telephoto end. The 12-40mm is a great go-to lens that will excel in almost every shooting situation making it a fantastic lens to have with you at all times.



12mm, 1/250 sec, f/6.3, ISO 100, Olympus E-M5 Mark II w/ 12-40mm f/2.8 PRO Lens
Photographer: Ronald Koster


Olympus M.Zuiko ED 40-150mm F2.8 PRO Lens



The 40-150mm f/2.8 PRO lens is comparable to a 70-200mm full frame lens except it’s 35mm equivalent is 80-300mm, offering an extra 100mm to help you fill the frame with your subjects even from far away. The lens is significantly smaller than DSLR lenses making it easier to carry and much more comfortable to use over long periods. It can also be purchased as a kit with the Olympus 1.4x teleconverter which extends the range to a jaw-dropping 112-420mm.

A puffin somehow manages to look a little sad even with a mouthful of food
150mm, 1/2000, f/4.0, ISO 200, Olympus E-M1 w/ 40-150mm f/2.8 PRO Lens

But wait! There’s more! Olympus’s PRO lens line-up doesn’t stop at the three “Trinity” lenses. There are a range of PRO glass available including. The 12-100mm f/4.0 PRO Lens, 8mm PRO Fisheye f/1.8, 25mm PRO f/1.2, and the 300mm PRO f/4.


The current Olympus M Zuiko PRO Lens Line-up offers high-end performance; they also happen to look quite attractive when placed together on a shiny black surface.

These lenses are designed specifically for professional and aspiring photographers who demand the absolute best performance along with the flexibility to be able to capture a massive range of photographic styles. The Olympus PRO series lenses deliver just that, with a finely tuned balance of quality, portability, and ruggedness that can help take your photography to new heights.


Check out all the Olympus lenses here.

Sony A7 and A7R Full-Frame Mirrorless Cameras

Sony have just announced their brand new range of Mirrorless cameras with a catch - they're FULL FRAME! The exciting release of the A7 and A7R will be a sweet aroma to Sony fans and photographers seeking DSLR quality images in a much smaller and lighter form. It will also act as a call-to-action challenge for the rest of the industry to play catch up as Sony paves the way by introducing the first full-frame of its kind in the photographic market.



Key Features -
 
A7 -
  • 24.3MP Full Frame
  • Dust & Moisture proof
  • 50P AVCHD Video
  • 5fps Shooting
  • 2.4MP Viewfinder
  • WiFi & NFC
  • Camera Apps
A7R -
  • 36.4MP Full Frame
  • Dust & Moisture proof
  • 50P AVCHD Video
  • 4fps Shooting
  • 2.4MP Viewfinder
  • WiFi & NFC
  • No Low-pass Filter
 
 
Alongside this release, several new full-frame Zeiss E-Mount Lenses will also be released including a 35mm f/2.8 (available late 2013), 55mm f/1.8 and 24-70mm (available early 2014). Just like the recent Olympus OM-D E-M1 announcement, the Sony A7 and A7R models will be much sought after this Christmas so register your interest today to receive the latest news update for pre-ordering this compact masterpiece.

Olympus Announces OM-D E-M1 Compact System Camera & M.Zuiko PRO 40mm F/2.8 Lens


Olympus OM-D E-M1
Olympus officially launches their long awaited addition to the OMD family - the E-M1, as well as M.Zuiko Pro 12-40mm F/2.8 Lens!

Feature highlights

1. Electronic  Viewfinder with 2.36 megapixel resolution,
advanced aspherical optics, x0.74 magnification (35mm equiv), 21mm eyepoint and 100% field of view

2. Dual FAST-AF technology – both Contrast AF and on-chip Phase Detection AF with lens detection capabilities

3. Enchanced 5-axis image stabiliser for improved stabilization at lower shutter speeds

4. New 16.3 megapixel LiveMOS high-speed image sensor (ISO 25,600 max. sensitivity)

5. TruePic VII advanced image processor

6. Built-in WiFi function with full PASM control

7. Full HD video with Multi-motion image stabilization (broadcast quality; stereo sound)

8. 3-inch tilting TFT-LCD touch-screen with 1,037K pixels

9. 10 fps sequential shooting rate

10. Splash, Dust and Freeze proof (to -10°C) metal alloy chassis

11. Intervalometer to 999 shots with movie compilation

Stay tuned for pre-orders!