When news of the Canon EOS 6D Mark II hit our desks, we knew we had to do another Day Out feature. We also knew we wanted to work on it with Daniel Tran and, luckily, he was just as keen to work with us.
Growing up in Coffs Harbour, New South Wales, Daniel was surrounded
by sprawling landscapes and big skies. With scenery like that, it’s hard not to
be inspired. In fact, it’s one of the reasons he turned to photography in the
first place; it gave him a way to capture and share the beauty of his
environment with people near and far.
For Daniel, it’s all about getting out there and finding
something exceptional in the places around you. It’s about exploring new
locations and revisiting old ones with fresh eyes. Perhaps most importantly,
it’s about finding a way to reconnect with nature to remind ourselves that
Earth is a pretty incredible place.
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| Check out Daniel’s Instagram for more amazing photos of cities, skies, and Mother Nature. |
The highly anticipated EOS 6D Mark II, with its brag-worthy low light capabilities and handy features like Bluetooth and a Vari-angle touchscreen (the first full frame DSLR to have both of these), was practically begging us to let it capture some epic sunset landscapes and astrophotography.
While we weren’t exactly sure where to go, Daniel came to
the rescue with somewhere spectacular in mind; The Boneyard Beach, a chilling
name if I’ve ever heard one. It’s about an hour and a half south of Sydney in
Kiama Downs, a beautiful, quiet coastal town. Perfect place for a road trip!
We met at DCW HQ, packed up our gear, and carpooled down the
motorway watching the skies and hoping the clouds would clear. Once we arrived,
and after lunch of course, we broke out all the toys and finally gave Daniel
his hands-on with the Canon EOS 6D Mark II.
He found it well balanced and familiar in hand as
a long-time Canon user. It’s noticeably rugged, something Daniel really values
as a landscape photographer. Right away, he pointed out the Vari-angle
touchscreen noting how much easier shot composition would be.Complementing the camera was the fast focusing Canon 16-35mm EFf/2.8L III USM, a wide angle favourite that saw the most use, and a trusty 24-70mm f/2.8 II work horse. Eager to let the 6D Mark II run free, we headed down to the beach to find the best spot for a moody sunset.
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| Standing in the line of fire and showing no fear of being drenched as the waves come in. |
Unlike the sandy beaches we’re used to, this one was made of
battered stones and shells with the jagged spires of Cathedral Rocks looming in
the distance. It was amazing.
Standing on a precarious rock ledge, Daniel bravely set-up shop and started shooting. With the tide coming in, most of us tried not to get splashed, but he didn’t even flinch. Getting the right shot was more important than keeping his shoes dry.
As we continued wandering, we spoke about the importance of
timing, like reading the waves and knowing when to press the shutter. Having
the right set of features on your camera can help immensely. This is where Canon’s
fast and smooth Dual Pixel AF came into play, allowing Daniel to capture the
waves rushing at him in quick, alarming detail.
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| Waiting for sundown, Daniel gets familiar with the Canon EOS 6D Mark II autofocus and lowlight settings. |
The portraits, done by a small campfire with heavily
controlled lighting, turned out sharp and clear with beautiful colours and not
much noise. The 6D Mark II was definitely showing off its work ethic. By now, the light had mostly faded, so we
hurried back to our cars for a quick debrief before heading to our final destination;
Bombo Headland Quarry.
Though it was pitch black, this location was the highlight
of the evening. An eerie quiet settled over our group as we moved through the
quarry, dodging slabs of sandstone and clamouring over loose rocks. Armed with
flashlights and stepping carefully, it felt like we were exploring another
planet.
It was perfect for the final part of our
adventure; astrophotography. Looking up, the stars were bright and the Milky
Way was visible even to the naked eye. We made base camp and got to work.
Are
you a professional photographer interested in sharing your experience with us? Reach
out to us at content@digitalcamerawarehouse.com.au
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| Gorgeously clear and vibrant shot of the Milky Way taken during the final part of our Day Out adventure. |
Having been to the quarry before, Daniel was clearly in his
element photographing something so awe inspiring. The darkness meant he’d really
have to bump the ISO, much more than the previous sunset and campfire sessions.
In a way, it felt like the first real test for the 6D Mark II.
It did not disappoint. The images were clean, despite the
obvious lack of light, and the stars and foreground details were sharp.
Focusing was quick and, thanks to the Vari-angle Touchscreen, framing was super
easy. This is great news for astro shooters since, a lot of the time, both your
camera and neck end up in awkward angles. #anythingfortheshot
We learned a lot on this (very long) day out and we really
put this camera through the ringer. It was threatened with sand, water, fire,
and deprived of the one thing all cameras need; light. But it met our
challenges head on and impressed us at every angle.
For an adventurous, outdoor loving photographer like Daniel,
the new 6D II ticked all the boxes, from its rugged frame, to its lightning
quick Dual Pixel CMOS auto-focus. At the end of the day, however, it was the
low light performance that really stole the show, the 26.2MP full frame sensor
handling high ISO levels in a truly stellar fashion. (Pardon the astro pun.)
With a seriously strong list of features and conveniences, the
Canon EOS6D Mark II has proved itself to be a
very worthy successor to the much-loved 6D. And
from what we’ve seen so far, it looks set to become a new benchmark for low light
photography.
See more of Daniel Tran’s incredible work below:
https://danieltranphotography.com/
https://www.instagram.com/_danieltran_/
https://danieltranphotography.com/
https://www.instagram.com/_danieltran_/
